Journal

Notes from the studio

Process, reflection and the thinking behind the work — on painting, the creative journey and African art & culture.

Painting the End of the World

How a week of doomscrolling became 'The Last Broadcast' — and why the calm is scarier than the explosion.

On choosing the cheapest pen in the shop to make the things I hold most sacred.

The Atlantic, the fishermen, the funerals and the festivals — a coast that refuses to be only one thing.

What being trained as a communication designer did to me as a painter — for better and for worse.